Disco Demolition Night

Primary Topic

This episode delves into the controversial "Disco Demolition Night," an infamous 1979 event that spiraled into chaos during a baseball doubleheader at Comiskey Park, Chicago.

Episode Summary

On July 12, 1979, an ill-fated promotional event dubbed "Disco Demolition Night" was held at Comiskey Park, orchestrated by DJ Steve Dahl and Chicago White Sox marketing director Mike Veeck. Originally intended as a fun spectacle to destroy disco records between doubleheader games, the event drew a massive crowd that escalated into a riot. Spectators, incited by Dahl's anti-disco antics, stormed the field after the records were exploded, leading to significant vandalism and the forfeiture of the game. The episode explores the cultural and racial tensions surrounding disco music at the time, the aftermath of the event, and how it impacted the careers of those involved, including a later reflection on similar stunts by Mike Veeck with a different outcome.

Main Takeaways

  1. The event was initially conceived as a promotional stunt to boost attendance at a struggling team's game.
  2. The demolition escalated into a riot, highlighting the era's cultural backlash against disco music.
  3. The riot had underlying racial tensions, as disco was popular in black and gay communities.
  4. The event led to significant consequences, including the firing of Mike Veeck and a forfeited baseball game.
  5. Years later, the promotional stunt was revisited with a different outcome, reflecting on past mistakes.

Episode Chapters

1. Introduction to Disco Demolition Night

Covers the planning and intent behind Disco Demolition Night, featuring interviews and background on the cultural context. Steve Dahl: "It was supposed to be fun, a lighthearted event."

2. The Riot Unfolds

Details the chaos that ensued when the crowd was incited to riot, including the destruction of the baseball field. Mike Veeck: "We never anticipated it would go this far."

3. Cultural and Racial Tensions

Examines the cultural and racial implications of the anti-disco movement. Lindsey Graham: "The event inadvertently showcased deep societal divisions."

4. Aftermath and Reflection

Discusses the immediate and long-term impacts on those involved, especially Mike Veeck. Mike Veeck: "I learned a lot about crowd control and public sentiment."

5. Revisiting the Past

A look at Mike Veeck's later promotional stunts with a similar theme but different results. Mike Veeck: "We kept it under control this time, learning from the past."

Actionable Advice

  1. Reflect on Past Mistakes: Learn from historical events to avoid repeating similar mistakes.
  2. Understand Cultural Sensitivities: Always consider the cultural implications of public events.
  3. Plan for Crowd Control: Adequate security and planning are crucial for large events to prevent chaos.
  4. Engage with Communities: Engage positively with diverse communities to foster inclusion.
  5. Evaluate Promotional Impact: Assess the potential impact of promotions not just on attendance but on public relations.

About This Episode

July 12, 1979. A Major League Baseball promotion goes awry, causing a Chicago White Sox game to end in a riot.

People

Steve Dahl, Mike Veeck

Companies

Chicago White Sox

Books

None

Guest Name(s):

None

Content Warnings:

None

Transcript

Speaker A
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Speaker B
It'S the evening of July 12, 1979, at Comiskey park, home of the Chicago White Sox baseball team. Sitting in the stands, ten year old Andrew Brown leans forward and watches the Detroit Tigers pitcher wind up and release a pitch. The White Sox player at bat swings and misses. It's strike three for the last out of the game, and the White Sox have lost. Andrew doesn't mind much, though.

Speaker A
He's having fun with the rest of. His Boy Scout troop, eating popcorn and hot dogs and horsing around as the. Players leave the field. A ripple of excitement runs through the capacity crowd because tonight is a doubleheader and between games, the White Sox have prepared a special event they're calling disco demolition night. Andrew watches with amazement as a jeep roars out from underneath the stands and circles the field.

Speaker B
On it, a man wearing a helmet waves to the crowd. He jumps off the back of the jeep and begins shouting over the public address system, getting the crowd to chant at the top of their voices. Disco sucks. Andrew and his friends laugh and join in enthusiastically as a crate of disco records is placed on the infield. Then the man leads the crowd in a countdown.

The entire stadium chants out numbers three, two, one. And then the crate of disco records. Explodes on the field. The man on the jeep speeds away and Andrew and his friends giggle at the strange stunt. But its nothing compared to what comes next.

As the jeep disappears, spectators begin flooding onto the field from the stands. Its the beginning of a riot. Some pull up the bases, others take spare bats from the dugouts and begin smashing anything in sight. As the chaos unfolds, a combination of fear and fascination means that Andrew cant tear his eyes away, but eventually his boy scout leader pulls him out of his seat and hurries Andrew and his fellow scouts into the safety of the concourse. Andrew doesn't really understand what he's just witnessed, but he's pretty sure he'll never see a baseball game like this for the rest of his life.

Disco demolition night will end with a. Forfeited game, 35 arrests and an enduring. Reputation as one of the most infamous. Moments in sporting history. It will also destroy the career of a rising young baseball executive whose misjudged.

Speaker A
Promotion successfully attracted a sellout crowd to. Comiskey park, but also provoked a riot by spectators on July 12, 1979.

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Speaker B
From noiser and airship, I'm Lindsey Graham, and this is history daily.

History is made every day on this podcast. Every day we tell the true stories of the people and events that shaped our world. Today is July 12, 1979, disco demolition night.

It's the evening of December 24, 1978, in Chicago, seven months before a riot breaks out at Comiskey Park, 24 year old disc jockey Steve Dahl pulls his scarf close to protect him from the bitter wind as he trudges through the streets. Although Chicago is festooned with lights for the holidays, Steve isnt in a festive mood. Hes just been fired from his job at rock and roll radio station WDAI. Steve feels betrayed by the station's management. He only moved to Chicago ten months ago after securing his dream job hosting a radio show in the prestigious morning slot.

Steve Dahls rude awakening was unlike anything Chicagoans had heard before, featuring off the wall comedy, crazy characters and Steve's own often controversial opinions on the issues of the day. It defied morning show conventions and tested the limits of talk radio, but it. Also won a small but dedicated fanbase. Still, earlier today, Steve was called in to see the stations boss, and given the news that he's being let go, he's not the only one. WDAI is clearing out many of its dj's as the station shifts from the crowded rock and roll market to a new type of music disco.

Over the past decade, hundreds of disco clubs have opened across America. After years of depressing headlines about Watergate. And the Vietnam War, Americans craved an. Upbeat, more positive vibe, and the electric rhythm of disco was ideal. Songs like thats the way I like it by KC and the Sunshine Band, YMCA by the Village People and Dancing Queen by ABba topped the charts, and the movie Saturday Night Fever was a smash hit, mainly thanks to its disco soundtrack.

But Steve was never a disco fan, and now he has even more reason to dislike the genre. After a miserable Christmas, Steve hits the streets of Chicago in search of a new job. His reputation as a cult radio personality means that he isnt out of work for long. By March 1979, Steve has secured a regular show at another Chicago rock and roll station, WLUP. And on this show, Steve makes disco the number one target of his angry brand of comedy.

He rants against the genre. He ruins disco lp's by scratching the vinyl with the needle. He records a satirical anti disco song, and when disco songwriter Van McCoy diese, Steve celebrates the occasion by snapping a Van McCoy record in two live on air, Steve's loyal following of like minded listeners join his musical crusade. The co host, as Steve calls the members of his anti disco movement embark on a public campaign against disco music and those who promote it. Steve's old employer, WDAI, is targeted with protests.

Police are called in when Steve encourages his listeners to gay crash at Teen Disco in the Chicago suburbs and fights breakout at a coho event in Hanover park. To some, Steve's anti disco stunts seem in bad taste. But in the summer of 1979, they catch the attention of Mike Veeck, marketing director for the Chicago White Sox. It's Mike's job to fill the seats at Comiskey park, but it's tough work. The White Sox are struggling in the shadow of Chicago's other team, the Cubs.

They haven't progressed to the postseason for 20 years, and most home games are played to a two thirds empty ballpark. The White Sox often run promotions to attract new fans. Two years ago, Mike tried to boost attendance with a disco night promotion. He hired DJ's to play disco music during breaks and play and had a dance squad perform on the field. But the experiment made no difference in ticket sales.

Still, Mike liked the idea of a musical tie in, so he decided to try again, only this time with a twist. With Steve Dahl's anti disco rhetoric on the rise, Mike tweaks his idea into an anti disco night promotion. Mike reaches out to Steve and asks him to take part in a lighthearted event to encourage more fans to Comiskey park. After Steve agrees, the White Sox announce that the doubleheader on July 12 will be disco demolition night. That evening, teenagers will get half price tickets and spectators of all ages will be given discounted entry if they bring an old disco record with them.

Steve hypes the game on his radio show, declaring, hell destroy the records they collect in the break between games. Mike hopes that a few extra thousand rock and roll fans might join the fun, and if hes lucky, a few dozen may become regular fans. But when the night finally arrives, Mike will be stunned at the turnout. The crowd will be three times larger than usual, Comiskey park will be thrown into chaos and the doubleheader will enter baseballs record books for all the wrong reasons.

Speaker A
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Speaker B
Its the evening of July 12, 1979 at Comiskey Park. A few hours before disco demolition night turns into a riot. 28 year old Mike Veeck glances out of his office window and smiles with satisfaction. For as long as he's worked for the Chicago White Sox, attendance at games has been poor. But tonight, the line of spectators waiting to get in stretches past the gates.

Thousands of young people from across the city have gathered at Comiskey park on a Thursday night, and it's all thanks to Mike's promotional tie in with local DJ Steve Dahl. Mike wanders down to the turnstiles for a closer look at the crowd. Many have vinyl records in their hands. To claim a discounted entry, and after they pay their reduced fee, they toss the records into a big box by the entrance. Its filling up fast, and so is the stadium.

A security guard spots Mike and hurries across to complain that some spectators are opening emergency exits so their friends can sneak in for free. Other true baseball fans are complaining about the long lines to get in, and with the first game about to start, the mood is turning sour. Mikes brow furrows. Hes only hired enough security for a crowd of 35,000 people, but now hes starting to worry thats not enough. And as the players take to the field, Mike pulls some of the guards who usually patrol the stands and has them watch the entrances instead.

Satisfied that hes dealt with the problem, Mike then moves on to watch the game. Its definitely a more boisterous crowd than usual. A few fans who kept hold of their records disrupt the game by flinging them onto the field like frisbees. But Mike considers the disruption to be a small price to pay for tripling the night's attendance. A few hours later, the first game ends with a White Sox loss, but no one seems to care for the majority of spectators.

The main event is taking part between the two games. After Steve Dahl enters the field on the back of a jeep, Mike joins him on the field. He watches as Steve whips his coho followers into a frenzy and stadium workers place a crate filled with disco records in center field. After a short countdown, the crate explodes in a burst of fireworks. Vinyl records fly into the air.

The grass on the outfield catches fire, and as soon as the display has finished, Steve rushes off in the jeep he came in on. But Mike stays on the field, keeping an eye on the worked up crowd. And as the smoke from the explosion clears, Mike spots a few teenagers jumping onto the field. His stomach lurches as he realizes that most of the field security team are still at the entrances and theres no one on field to enforce order. As the first few hooligans run around the diamond with no one stopping them, more members of the crowd climb over the barriers to join in.

Mike vainly tries to stop them, but his protests are drowned out by the shouts of excited teenagers. Soon, thousands of fans are storming the field. They start fires. They rip up the bases. They destroy the dugouts.

The scoreboard begins to flash. The words please return to your seats as the stadium announcer tries to win over the crowd by singing take me out to the ball game over the PA system. But the cohos arent distracted. Theyre too busy enjoying the riot. Baseball fans, who were appalled by the behavior, try to leave the ballpark, but find the exits have been locked by the overrun security staff, its bedlam with no end in sight until the Chicago.

Speaker A
Police arrive in full riot gear. The cops arrest more than 30 people, although most of the rioters slink back into the stands and escape unpunished. It soon becomes clear, though, that no one is seeing any more baseball this evening due to the damage caused by the rioters. The umpires rule that the White Sox must forfeit the second game of the doubleheader. It will be only the fourth forfeit in the modern era of baseball.

Speaker B
But apart from these consequences of the riot, a debate will rage over whether disco demolition night was merely a promotional idea gone wrong or something more sinister, and the fallout will cost Mike Veeck his job.

Speaker C
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Speaker B
It's July 19, 2014, at Joseph P. Riley Junior park in Charleston, South Carolina. 35 years after the Disco demolition night riot, 63 year old Mike Veeck stands on the sidelines and applauds as minor league baseball's Charleston River Dogs leave the field. But Mike isn't just a fan. The man behind the infamous riot at Comiskey park is the river dog's owner.

In the aftermath of disco demolition night, Mike and his co organizer, Steve Dahl. Tried to play off the riot as. Youthful hijinks gone wrong. But soon the reporting on disco demolition night suggested that the riot had racist undertones. Steve and his coho followers were accused of attacking disco music because of its popularity among black people.

Many of the records brought by the crowd werent disco at all, but any music by black artists. And as criticism of the riot intensified, Mike was fired by the White Sox. He never managed to secure another job with a Major League baseball team, but. He did invest in several minor league. Teams, and years later, he still has a flair for promotion.

Although tonight's game is over and the Riverdog players are back in the locker room, the stands remain full because the night's entertainment isn't over yet. To cheers and laughter, stadium staff drag an empty crate onto the field and then fill it with Justin Bieber and Miley Cyrus cds, t shirts and posters. It's all been gathered from Riverdog's fans, who got a reduced ticket price if they brought the merchandise to the game. Mike is recreating his infamous disco demolition night promotion, calling it disco demolition two. You better believe it.

After the crowd counts down, a stadium worker lights a fuse and the crate explodes in a ball of flame. Mike crosses his fingers that the spectators don't take the joke too far and invade the field again. But he doesn't need to worry. The crowd cheers the comical moment and calmly makes their way to the exit. There's no riot, no arrests, and no forfeit.

Speaker A
A very different ending from the original. Disco demolition night 35 years earlier, when. Thousands of records were destroyed in a. Promotional stunt that saw both disco music and Mike Veeck's career go up in smoke on July 12, 1979.

Speaker B
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Speaker E
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